summer shadows | strawberry flax loaf

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I feel there have been a lot of posts recently where I start with some kind of an explanation for my absence. Of course I don’t really need to explain to anyone, this space is in many ways more for me than anyone else, so perhaps it’s an explanation to myself. I’m not in the habit of forgetting things I care about; I keep the list short. A few people, the dogs, my plants, this space. I think I’m ok about keeping up with the other three even when things are busy so I guess in terms of blogging, I kind of fall behind. For me the autumn and winter have always been the season for quiet thoughts and introspection; the slight melancholy inspires those feelings so well. The spring and summer are so brave and brazen they seem to leave you with little space to think, except maybe about when summer fruit will be best and whether gathering clouds mean thunderstorms. There are exams at this time, my head becomes overgrown like the heavy bushes everywhere and time becomes as elusive as shade at midday.

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As elusive as the time I’ve had to think has been sleep. It’s been some time now since I went to bed at what’s considered a normal hour and woken up at something around objective dawn. Sleep seems to come in short dreamy bursts, where my subconscious seems very real. I dream I walk over to the window and look out at the dark street; when I wake up I struggle to separate that dusky dreamworld from myself, awake near midnight and watching the shadows of the loft’s eaves by lamplight. I walk to the window and look out, but I’ve seen it before, in my head, or had I just been at the window? The curve of the ebony road, the amber glow of streetlights; the cries of sheep in the distance, the inky sky and fleeting stars. It is a strange, fragile line to tread, fading between the familiar, enveloping night and the pleasant lightness of dreams.

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Sometimes sleep doesn’t come at all. The night will be a cool mist. A hovering. On the periphery of full alertness, where there’s clarity and a difference between hot and cold, day and night. But there’s a place, a gap, between sleep and being awake, where I fall on those nights. It’s hours but I don’t look at the clock, the summer shadows melt into purple, indigo, denim, and onyx fog. The air becomes very still, like a curtain must be hung to fade out the light and provide a stage for a sliver of pearly moon and its accompanying stars. Darkness cocoons the room, my plants fold their leaves, a fan whirs. My thoughts are both lucid and liquid, I can remember them, but they don’t make sense in the pale light of the morning. Dawn arrives so early. Just after the dark sets in, the stage prepares to clear, the first hints of brightness appear. And I find that nothing around me has changed, it looks the same as when I turned off my light hours ago. It could have been minutes, an hour at most, but the night’s act is over.

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It becomes slowly more difficult for me to draw solid a line between night and day, as that lack of sleep seems to flutter in a cloud all day, so sometimes daytime tasks happen in a dreamlike state. The brightness of the summer seems more translucent, like the reflection of spilled moonlight, and quiet afternoons could be silent midnight. The night has a sort of grasp, over the non-sleepers, the daydreamers, the lamplight wanderers. It sweeps into the day, like warm summer winds through swaying fields of wheat, scattering thoughts like seeds. So you stay, in that gap between the clear light of day and indistinct night, so the sun and the moon exist simultaneously, all the time, and every day fades into a feathery haze. A haze with streaks of peach, for the day; heady mulberry and smoky kohl for the elusive night, and fragile lilac for the dreamlike state between night and day.

“All night I rose and fell, as if in water, grappling with a luminous doom. By morning I had vanished at least a dozen times into something better”
- Mary Oliver, Twelve Moons

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Hi. Thank you for coming back to this little corner of the world after yet another disappearance, it’s nice to be back. I hope you think so too. I bring to you a summery loaf for these brighter, longer days when aaalll the fruits are around. It’s a really simple loaf that you could use with any fruit you have (peaches would be nice). Also as you’ll see I added weight measurements to the cup measurements - I usually weigh my ingredients, it’s more precise and I find it easier (fewer cups to wash) so if you want to do the same, well now you can 😉
There’s still a lot to do around these parts but I hope you’re enjoying all the overgrown hedges, summer traffic and sweet evenings sitting out until late.
Love you xx

PS. If you have three minutes may I suggest you watch this video by two Italian filmmakers that shows a tree in Abruzzo National Park (in the Apennines), filmed over a year, and the animals that interact with the tree. Just the cutest thing that I could watch forever.

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strawberry flax loaf

1c (100g) oat flour
3/4c (90g) brown rice flour
1/4c (30g) flax meal*
1/2tsp salt
2tsp baking soda
1c (250ml) plain yogurt of choice
1/2c (125ml) honey or maple syrup
1tsp pure vanilla extract
1/4c (60ml) melted coconut oil
1 heaped cup (160-180g) chopped strawberries



Preheat the oven to 180’C, 350’F. Prepare an 8inch loaf pan.
In a large bowl, combine the dry ingredients.
In another bowl, beat together the melted coconut oil, maple/honey and eggs. Once combined, add the yogurt. The coconut oil may harden somewhat if your yogurt is straight from the fridge, so it may help to leave the 1c yogurt on the counter for a bit before you start. Add the vanilla extract and stir until batter is smooth and uniform.
Add the chopped strawbs to the dry flour mix - toss gently until the berries are covered with flour. This should help stop the berries sinking to the bottom of the cake.
Add the wet mix to the flour/berries and stir until just combined.
Pour the batter into your prepared pan and bake for around 60 minutes - if the top seems to be browning too fast, you can ‘tent’ it with some foil loosely over the top. Either way the top will crack, that’s ok, loaves are kind of cute in that rustic way.
Transfer to a cooling rack and let the loaf cool before cutting - like a lot of gluten free breads/baked things it will be a bit fragile before that. The loaf will keep for about 5 days in the fridge, or will freeze/defrost nicely.

*I think instead of flax meal you could use rolled oats, 1/4c (50g) should work well instead, in case you don’t keep flax around. Of course it wouldn’t be a flax loaf anymore, but will be great all the same.

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inward restlessness | chocolate + almond snack cake

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There are times when you do more travelling than other times. Perhaps this is obvious, but travelling isn’t always a physical state, rather a state of mind. An inherent inward restlessness, wandering thoughts. When you see something that has been there every day but is really someplace else. The earliest sprigs of white tree blossom along the highway; a smoggy stretch of road between a few Norfolk towns, but not always. They seem to exist in two separate spaces, coexistence in a chaotic internal harmony. The same skies, a pebbly gray; dense, tactile cloud; watery sunshine and a lingering dampness. But this is France, somewhere on the A10 autoroute, after Paris, perhaps direction Orléans, heading south, where the air is milder and there are more green buds on trees. 

Recently I think we have had tropical rain on our minds. The real rain, that falls in crystalline sheets from towering cloud the color of a twilight sky. Pool water. Hot rain, chubby droplets, rippling the pool’s surface and distorting your view of the tiles lining the bottom. That strange similarity of being underwater and coming up for air, only to have warm rain drops in your face. Air conditioning that felt even colder on damp skin and hair as we watched the rusted trucks of the tropics turn rubble roads into rivers of muddy rainwater.

Perhaps it is because it’s easier being anywhere other than where you really have to be. There are no real feelings, no sense of time, in that dream like state. Just glimpses of places and people both completely frozen and very animate. Because slowly the line between those travels in your head and the trips you actually take becomes very blurred. So travel becomes your constant state, and you are everywhere but nowhere, all at once. 

“We travel, some of us forever, to seek other states, other lives, other souls” - Anais Nin 

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Hello again :) It’s been a while since I last posted but I am back, with cake. A simple chocolate cake based on a recipe for a deeply chocolatey almond cake I tried while visiting our grandparents over the holidays . I’m not sure when a cake becomes a snack cake but this little guy is very simple to make, kind of virtuous and also just a great chocolate cake for any day. It is good to have around since it keeps well for a while, too. I hope you try it.
Also, I appreciate you coming back to visit this space after every time I disappear.
Much love xx

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Chocolate + almond snack cake

1 cup almond meal
1/2 cup natural cocoa powder
1/2tsp basking soda
1/2tsp salt
4 free range eggs
1/2c honey
1/4c plain yogurt of choice (or applesauce)
1tsp pure vanilla extract 


Preheat the oven to 170’C, 340’F*.
Prepare an 8inch round cake pan - even if it is non-stick I usually use a little coconut oil and line the bottom of the pan to be suuure the cake won’t stick.
In a large bowl, stir together the almond meal, cocoa powder, baking soda and salt until the cocoa powder is fully mixed through the flour.
In another large bowl, beat together all remaining ingredients until they’re fully combined and the mixture is smooth. If you have a stand mixer or a hand mixer and a large bowl, this would be really quick.
Combine wet and dry ingredients until the batter is dark brown and smooth. Since there is no gluten don’t worry about over-mixing, a flexible spatula is useful.
Pour the batter into your prepared pan. 
Bake 30-35 minutes until a skewer inserted into the center of the cake comes out clean. You won’t want to bake this cake too long, it will lose some of its charm if it’s too dry.

This cake will keep well for about a week in the fridge in an airtight container.

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Tiny has appointed herself kitchen assistant

hiatus | the heatwave

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It has been a long time since I wrote anything for this space. A hiatus of sorts, perhaps a symptom of a busy school year.

Over Christmas we inevitably travelled, to India. It started with the flight and the queues of Heathrow, the temporary disorientation, remembering whether or not we flew out of terminal four last time. You do it enough, it's all some sort of mechanical, learned haze. Being carried along in the crush, down the jet bridge, through frigid air heavy with the stink of kerosene. Like the air’s coldness somehow traps the fumes, holding onto them through to the cabin, where in the first few steps into the early aisles fuel mingles with coffee scents and artificial air pressure. Our flight turns and taxies, clumsy. Slick tarmac, onto the runway. The plane pauses, composes itself, the engines gun and the floor shakes and the flight rumbles over the concrete awkwardly, until the wheels retract, the ground falls away, the wing dips, the cabin hums. London fans out below winking and blinking lights, carved into bays and headlands by swathes of black.  Then there was the bombardment of color and chaos and life that hits you after a trip to India, that stays with you through the flight home, then is sucked out of you by London's damp, clammy night air. 

It was cold after Christmas. Just as people saw the first few gleams of spring, the buds and their hope were engulfed by some of the most intense snow the eastern UK has seen since Tupac was rapper of choice. Flurries started and didn’t stop, it was beautiful, hypnotic, coming down harder in sloppy white sheets like puppy kisses. There was too much snow on sidewalks, the dogs played in the garden, chasing icicles and snowballs that sank deep, leaving tracks and furrows while plumes of grey smoke from a dozen chimneys muddled with the heather sky. Geese flew overhead in formation, shadowy onyx against towering somber cloud; peppery and rippled. Hands were dry and fragile like old paper, the ground was undisturbed feathery white until it met fields where the earliest wheat was fighting through; there it looked chunky and porous, like paper towel. The wind murmured and caressed the ribs of haggard trees, blowing powdery snow onto the roadsides. They were littered with abandoned trucks and cars looking overly bright and metallic so the place felt more like midwinter Alaska than spring Norfolk. More brilliantly brutal than subtle and charming. 

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And then summer came, like a flash flood of dry heat, no warning, no expectations, the ground and the people unable to absorb it all. The atmosphere just decided that was it, enough of winter's indecisive drizzle and mild, pale yellow rays, the sun seemed to go from being the color of butter to somewhere closer to an Indian temple marigold. No spring. No buffer period, no hesitation. There was no way to miss it. Europe basked and burnt in a heatwave. The sky was so clear it was a storybook cliché, or a childhood drawing, like someone had said, kids, let's color the sky blue. It was more as if the world was upside down, like looking at the Mediterranean Sea, suspended above you. The dogs would run out of the shade to where the sun cast blocky shadows through the needles of pines, chase a squirrel, and come back with their own fur like charcoal; hot, black, and sandy. I would take my car out and send up a plume of umber dust, winter's puddles were bone dry and left everything coated in a fine layer of what looked like cinnamon. I'd follow that usual rural route framed by fields and in the rear view mirror driving downhill fast it left a distorted smudge of pale green, flax and straw behind me. From above the countryside probably looked khaki, as if it was washed in sepia with patches of dun and tan like fading army combat uniform. 

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There is football on TV, most of which is bad, and a new Drake album, most of which is great, and the sun sets late and barely sets at all. It takes a short dip over the inky horizon then floats back up, between the russet roofs of houses to the east of our own, casting long shadows and cool blue shade. In the shade you shiver, maybe watch the swirling dust, or crystalline drops of dew forming on cut grass. But there are these tepid mornings when you walk out and the earth just smells warm, of verdant leaves and heavy fruit trees and every bush bristling with life and flowers, and you should be somewhere further south. France or Italy, maybe, somewhere with stone farm houses the color of caramel and where the roads aren't full of harassed holiday makers in packed cars. But another week of high pressure has been forecast, so another week of sunshine spilling over the yellowing grass. The sun will rise amber and brush early cloud with peach, it will fade the roses on the trellis to watery claret. The clouds will be rare, light, with pretty latin names like altocumulus, cirrocumulus and altostratus, which meteorologists call the clouds of fair weatherWait, until around midday, when everyone is where they need to be and the roads are quiet, the sun is sharp and the heat uninhibited. To hear kites call as they cruise the thermals miles above us, perhaps a light rustle of grass in a sliver of breeze, and absolutely nothing else.

"this bud of love, by summer's ripening breath, may prove a beauteous flower when we next meet"           
- juliet to romeo (Shakespeare's Romeo & Juliet, what else?)

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** All these photos are from around Norfolk, taken over the past 3 summers. The cows were at the Norfolk Show a couple of years ago.